Has there been a better named album? The seemingly absurdist statement Ladies and Gentlemen We Are Floating in Space actually gets directly to the core of Spiritualized and to what is arguably the best post-Nirvana rock album of the 1990s. A quote from Jostein Gaarder’s introduction to Western philosophy, Sophie’s World, it was originally coined to describe the extreme nature of clear-sighted thinkers who undertake a “perilous expedition to the outermost reaches of language and existence”. And while drawing analogies between interplanetary travel and more earthbound states of mind such as heartbreak, philosophy, drug use and insanity is as old as rock’n’roll itself, Jason Pierce used his grand creative vision to inject the metaphor with new life and strange vitality.
After the unpleasant demise of lauded cult 80s drone-rock group Spacemen 3, Pierce had talked a good game (and had gone some way to living up to the hype on Pure Phase). But it was only really on this 1997 effort that he managed to successfully combine his love for psych-rock, gospel, drone, electric jazz fusion and thunderous rock’n’roll with the kind of widescreen, immersive production that sounded like it had been crafted by Phil Spector, Wagner and Teo Macero.
The songs were written immediately after a painful separation from Kate Radley, Spiritualized’s keyboard player; she had left Pierce for The Verve’s Richard Ashcroft (which in some respects is like finishing with Nick Drake to go out with Shakin’ Stevens). The clutch of songs not only capture the incessant and raw pain of heartbreak in detail, but also the late-90s post-rave mood of poly-drug use in the UK on a macro level. And what songs they are. I Think I’m In Love is pure (Brit) pop, revelling in the temporary relief from heartbreak offered by self-medication. Electricity crackles with heavy rock malevolence. Pain and the false hope of sweet relief come in waves, so by the time you reach the closing double whammy of gospel beatification Cool Waves and the moody, epic voodoo-rock coda of the Dr John collaboration Cop Shoot Cop, even the listener feels like they have been through the emotional wringer.
This album was initially released a s very limited vinyl pressing(500?). Many of these were returned as they were mispressed and there was never a second pressing. Until now! Plain are releasing many classic indie albums from the 1990's a time of great scarcity for vinyl lovers. Like the Flaming Lips' Soft Bulletin the vinyl edition of this album was fetching silly prices on Ebay. I held one of these original copies in my hand in London in 1997 and debated buying it. It had already been returned by another disgruntled user as it was skipping. I passed figuring that I'd buy a copy of the repress. That never appeared so I did pick up a copy of the single cd.
So, how did Plain do? Well the packaging is simple enough but true to the original. Plain enough white sleeve with plain coloured inners all designed to look like a pill box with two pills inside. Although on Plain, it says manufactired by Sony Entertainment,
And the sound? Well aside from the extra noise that vinyl provides this sounds identical to the CD and sadly, and particularly at the price, I have to say there is no point in buying this over the CD. Especially now that there is an expanded 3 CD version with lots of extras.
Plain/4MWB/Lilith continue their policy of ripping off the public with vinyl pressed from CDs.