EVERYONE IS TIRED OF THAT RICHARD GERE STORY
EVERYONE IS TIRED OF THAT RICHARD GERE STORY
EVERYONE IS TIRED OF THAT RICHARD GERE STORY
EVERYONE IS TIRED OF THAT RICHARD GERE STORY

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My Bloody Valentine - Loveless  Hot Print E-mail
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Written by fitzrik   
Friday, 01 September 2006
Editor's rating
5.0
out of 5
Description
Details
Artist: My Bloody Valentine
Record Title: Loveless
Year: 1,991
Number of discs: 1
Similar to?: Ride, Curve, Slowdive, All natural lemon and lime flavours
Record Label: Creation/Plain
Genre: Indie Rock
My Bloody Valentine started life off in London as a slightly fey indie band typically associated with the London indie scene at the time, NME etc.

In 1988 they released 'Isn't anything' on creation Records. This was a huge step forward into noise rock and the scene which was later to become known as shoegazing. For many this is still their best album.

For the next three years, Kevin Shields, Colm O'Coisig and the rest of the band holed up in a studio and produced and engineered what was to become the masterpiece, not just of MBV, but of the era.

Loveless is like nothing else you have ever heard. The record cover, a pink haze which might depict the fender of a guitar suggests at what is within. A common tale at the time was that when people first put it on they thought their record player was broken.

A testament not so much to the playing on the guitar as to the production that followed, Loveless contains brilliant tunes shrouded in guitar feedback, overdubs, reverb and, well, noise.

Belinda Butcher, and apparently a speeded up Kevin Shields, provide glimmering translucent vocals amongst this dreamlike cacophony. The voices were to be used more like an instrument than voices in their own right. They are part of the whole and not the primary focus. The lyrics themselves are indecipherable but apparently a lot of the songs are about making love.

Much of the album follows this pattern, 'Only shallow' and 'To here knows when' being some highlights. Right at the end of the record when you think it couldn't get any better 'Soon' appears and introduces a lolloping dance beat which sets dance floors alight.

Loveless truly is in a class of its own.

Loveless is such a mind melding blend of sonics that it is difficult to criticise the actual sound quality of it. I had a Creation pressing. When I bought the recent Plain recordings issue, I did discover that it was clearer and somewhet more distinct. Its on excellent quality vinyl and in a nice gatefold sleeve. Plain are from the Runt distribution group of labels, the same group who bring you 4 men with beards.

If you see it, buy it!



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External Links

My Bloody Valentine



Creation/Plain

My Bloody Valentine @ SoundDirect

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Editor review : My Bloody valentine - Loveless
1 of 1 people found the following review helpful

Overall rating (weighted)
5.0
Music
5.0
Recording
5.0
Pressing
5.0
Packaging
5.0
Incredible!


User reviews

Average user rating from: 1 user(s)

Overall rating (weighted)
4.8
Music
5.0
Recording
5.0
Pressing
5.0
Packaging
4.0
 

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0 of 0 people found the following review helpful

BBC, Monday, 06 October 2008

Written by fitzrik   -  View all my reviews  - #1 Reviewer

Overall rating (weighted)
4.8
Music
5.0
Recording
5.0
Pressing
5.0
Packaging
4.0
Despite this record being the best part of 20 years old, it's as dense and inpenetrable as ever. It’s like trying to explain why Jackson Pollock’s Full Fathom Five is what it is, or push the case for isolationist textures in modern sculpture or even trying to describe acid house to a badger. There really wasn’t, and still isn’t anything quite like My Bloody Valentine.

Formed in Dublin in 1984, My Bloody Valentine quickly moved from the C86 shambling indie template that had dominated that period. It took a slight shift in personnel and a contract with Creation. Within a week, the band recorded their landmark EP, You Made Me Realise, which nudged them more into the realm of the likes of Dinosaur Jr and Sonic Youth. Soon, giddy journos were gabbling on about sonic cathedrals and getting generally quite excited.

Within that year came the band’s first 'proper' album, Isn't Anything. Shards of noise, underwater guitars and vague lyrics all combined with a certain disorientating charm. As if that wasn’t accomplishment enough, three years later via drama (it nearly bankrupted Creation), delays and added expectation came Loveless. It was the album that would lift MBV into the pantheon of the greats and in a perfect universe would be battling it out between Pet Sounds and OK Computer in the greatest-album-ever-made polls.

Despite urban myth surrounding the recording – they were recording in a tent covered in duvets, they’d gotten into hip hop, all the band went mad to varying degrees – it still sounds incredible. Washes of guitars and noise overwhelm what 'songs' were actually beneath them. Having tasted the Top 41 with the staggering Soon, they released what even Brian Eno then considered the: ''most vaguest song ever'' in To Here Knows When. Creation thought the band were joking when they first heard it; sounding like someone had taped it on a wonky cassette player. In the context of Loveless, it makes sense, like one long bleary dream with almost symphonic levels of noise.

Now, the band are back and playing across the world, giving a new generation of ears a risk of tinnitus. There’s talk of a new album. For the meantime, get this magnificent masterpiece and play very very loud indeed.

http://www.bbc.co.uk/music/release/q2dp/

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