Hex

by Bark Psychosis

Bark Psychosis - Hex

Ratings

Music: ★★★★☆ (4.0/5)

Sound: ☆☆☆☆☆ (0.0/5)

Review

**Bark Psychosis - Hex: The Accidental Blueprint for Post-Rock**

In the grand tapestry of British alternative music, few albums have wielded as much quiet influence as Bark Psychosis's 1994 masterpiece "Hex." This isn't the kind of record that announces itself with fanfare or demands immediate attention—instead, it seeps into your consciousness like fog rolling across the Thames, gradually revealing its profound beauty and revolutionary approach to what rock music could become.

Graham Sutton's brainchild emerged from the fertile underground scene of early '90s London, where the boundaries between genres were becoming increasingly meaningless. Formed in the late '80s while Sutton was still a teenager, Bark Psychosis initially trafficked in the kind of experimental post-punk that had bands like Talk Talk and This Heat pushing against conventional song structures. But by the time they entered the studio to record "Hex," Sutton had assembled something far more ambitious—a sonic laboratory where jazz, ambient, dub, and rock could coexist in perfect, unsettling harmony.

The album's creation was itself an exercise in controlled chaos. Recorded across multiple sessions with an ever-shifting lineup of collaborators, "Hex" feels less like a traditional band effort and more like a series of musical conversations between kindred spirits. The core trio of Sutton, Daniel Gish, and Mark Simnett created the framework, but the album's true magic lies in its use of space, silence, and texture—elements that would later become the calling cards of what journalist Simon Reynolds would dub "post-rock."

"The Loom" opens the album with a deceptive gentleness, its finger-picked guitar and whispered vocals masking the complexity beneath. It's a perfect introduction to Bark Psychosis's methodology: take familiar elements and stretch them until they reveal hidden dimensions. The track builds with glacial patience, adding layers of percussion and ambient washes that transform a simple folk progression into something otherworldly.

But it's "A Street Scene" where the album truly announces its revolutionary intent. Clocking in at over eleven minutes, the track unfolds like a fever dream, with Sutton's processed vocals floating over a rhythmic foundation that seems to shift and breathe with organic unpredictability. The song's use of samples, field recordings, and studio manipulation creates an immersive soundscape that feels both intimate and vast—a quality that would inspire countless post-rock bands in the decades to follow.

"Absent Friend" represents perhaps the album's most accessible moment, built around a hypnotic bass line and featuring some of Sutton's most direct vocal work. Yet even here, the band's commitment to atmospheric exploration takes precedence over conventional song structure. The track ebbs and flows like tide pools, with instruments appearing and disappearing in the mix as if controlled by some unseen lunar force.

The album's centerpiece, "Pendulum Man," showcases the band's jazz influences most explicitly, with brushed drums and walking bass lines providing the foundation for Sutton's most emotionally direct performance. It's a reminder that beneath all the experimentation and studio wizardry, Bark Psychosis never lost sight of the human element that makes music compelling.

Upon its release, "Hex" was met with critical acclaim but commercial indifference—a fate that seems almost inevitable for albums this far ahead of their time. However, its influence has only grown with each passing year. Bands like Godspeed You! Black Emperor, Sigur Rós, and Radiohead (particularly in their later, more experimental phases) all owe a debt to the sonic territories that Sutton and company mapped out on this remarkable record.

Following "Hex," Bark Psychosis went on hiatus, with Sutton pursuing various side projects including the electronic outfit Boymerang. When the band reconvened for 2004's "///Codename: Dustsucker," the musical landscape had shifted considerably, with post-rock having evolved into a recognized genre complete with its own clichés and conventions. While the later album contained moments of brilliance, it felt like a band trying to rediscover magic that had been diluted by countless imitators.

Today, "Hex" stands as one of those rare albums that created a new language for rock music. It's a record that rewards patience and repeated listening, revealing new details with each encounter. In an era of instant gratification and algorithmic playlists, "Hex" remains a testament to the power of musical exploration and the beauty that emerges when artists dare

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