The Kid

Review
**The Kid: Kaitlyn Aurelia Smith's Cosmic Coming-of-Age Story**
In an era where electronic music often feels cold and calculated, Kaitlyn Aurelia Smith arrived like a warm embrace from another dimension. The Los Angeles-based composer had already established herself as a singular voice in the ambient and modular synthesizer world with her previous releases, but 2017's *The Kid* represented something altogether more ambitious – a full-blown sonic autobiography that traces the arc of human development from birth to death through kaleidoscopic waves of analog synthesis.
Smith's journey to *The Kid* began in the most analog way possible: through dreams about her own childhood and conversations with her mother about early development. After relocating from the Pacific Northwest to California and diving deeper into her Buchla modular synthesizer setup, she found herself obsessing over the idea of creating music that could capture the essence of growing up. The result is an album that feels less like a collection of songs and more like a psychedelic time machine, one that can transport listeners back to the wonder and confusion of their own formative years.
Musically, *The Kid* exists in a space that's uniquely Smith's own – part new age meditation, part experimental electronic music, part pop confection. Her Buchla synthesizers burble and cascade like digital waterfalls, while her processed vocals float through the mix like half-remembered lullabies. It's ambient music with a pulse, experimental music with a heart, and electronic music that feels refreshingly organic. The album draws from minimalist composers like Terry Riley and Steve Reich, but filters their influence through a distinctly contemporary lens that incorporates everything from trap-influenced rhythms to ethereal pop melodies.
The album's opening track, "An Intention," sets the stage with what sounds like the first breath of consciousness – gentle tones that slowly coalesce into something resembling a melody, like watching a child's mind gradually make sense of the world around them. But it's "A Kid" where Smith truly hits her stride, crafting a piece that manages to be both hypnotically repetitive and constantly evolving, much like childhood itself. The track builds from simple, music-box-like tones into a complex tapestry of interlocking rhythms and melodies that feel simultaneously ancient and futuristic.
"Existence in the Unfurling" stands as perhaps the album's most fully realized statement, a nine-minute journey that captures the overwhelming nature of adolescence through layers of cascading arpeggios and Smith's wordless vocal improvisations. The way the track constantly shifts and morphs mirrors the confusion and excitement of coming of age, while maintaining an underlying sense of beauty and wonder. Meanwhile, "To Feel Your Best" offers the album's most accessible moment, with an almost danceable groove that never sacrifices Smith's commitment to sonic exploration.
The album's final act, including tracks like "Arthropoda" and "Closed Circuit," ventures into more abstract territory, suggesting the complexity and occasional darkness that comes with adult consciousness. Smith's ability to make these transitions feel natural rather than jarring speaks to her sophisticated understanding of both composition and human psychology.
*The Kid* arrived at a moment when electronic music was experiencing a renaissance of sorts, with artists like Oneohtrix Point Never and Holly Herndon pushing the boundaries of what synthesized music could express emotionally. Smith's contribution to this conversation was to demonstrate that electronic music could be both deeply personal and universally relatable, both experimental and emotionally direct.
In the years since its release, *The Kid* has established itself as a modern classic of ambient and experimental electronic music. It's an album that rewards both casual listening and deep analysis, functioning equally well as background music for meditation and as a complex artistic statement worthy of headphone scrutiny. Smith has continued to evolve as an artist, but *The Kid* remains her most cohesive and emotionally resonant statement.
What makes *The Kid* truly special is its ability to make the abstract concrete and the personal universal. In tracing the journey from childhood to adulthood through pure sound, Smith created something that speaks to the shared human experience while maintaining her own distinctive artistic voice. It's an album that grows with you, revealing new layers and meanings with each listen – much like memory itself.
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