The Warning

by Queensrÿche

Queensrÿche - The Warning

Ratings

Music: ★★★☆☆ (3.5/5)

Sound: ☆☆☆☆☆ (0.0/5)

Review

The fractured remains of Queensrÿche's classic lineup may be scattered to the winds today, with Geoff Tate's acrimonious departure in 2012 marking the end of an era, but there was a time when this Seattle quintet stood poised to conquer the heavy metal world. That moment crystallized perfectly on 1984's "The Warning," an album that captures the band at their hungriest, most focused, and arguably most dangerous.

Looking back through the lens of progressive metal history, "The Warning" stands as the crucial bridge between Queensrÿche's promising but raw debut EP and their later conceptual masterpiece "Operation: Mindcrime." It's the sound of a band discovering their identity while still maintaining the primal urgency that would later be polished away by studio sophistication. This is Queensrÿche with their teeth bared, before they learned to smile for the cameras.

The album emerged from a period of intense creativity and mounting pressure. Fresh off their self-titled debut EP's underground success, the band found themselves courted by major labels and tasked with proving they were more than just another NWOBHM-influenced outfit from the Pacific Northwest. Working with producer James Guthrie, who had cut his teeth with Pink Floyd, Queensrÿche crafted a sound that balanced accessibility with complexity, melody with menace.

Musically, "The Warning" occupies that sweet spot where traditional heavy metal meets progressive rock ambition. Chris DeGarmo's guitar work is nothing short of inspired throughout, weaving intricate melodies around Michael Wilton's crushing riffs while never losing sight of the song's emotional core. Meanwhile, Geoff Tate's voice soars with an operatic power that would become his trademark, but here it still carries an edge of desperation that would later be smoothed away.

The album's crown jewel is undoubtedly "Take Hold of the Flame," a seven-minute epic that showcases everything great about early Queensrÿche. Tate's vocals climb from whispered vulnerability to full-throated battle cry while the band builds a musical fortress around him. It's prog-metal before the term existed, with enough hooks to satisfy radio programmers and enough complexity to impress the most demanding metalheads. The guitar interplay between DeGarmo and Wilton creates a sonic cathedral, with each note precisely placed yet emotionally charged.

"Deliverance" kicks off the album with a statement of intent, its galloping rhythm and soaring chorus serving notice that Queensrÿche meant business. The track perfectly encapsulates the band's ability to marry Iron Maiden's energy with Rush's sophistication. "En Force" follows suit with one of the most underrated anthems in the metal canon, while "Warning" itself showcases the band's knack for creating atmosphere without sacrificing power.

Perhaps most impressive is how "The Warning" manages to sound both timeless and of its moment. The production has aged remarkably well, avoiding the over-compressed pitfalls that would plague later releases. Each instrument occupies its own space in the mix, allowing the listener to appreciate both the individual performances and the collective power. Scott Rockenfield's drumming provides the perfect foundation, powerful without being flashy, while Eddie Jackson's bass work adds crucial depth to the band's sound.

The album's influence on the progressive metal genre cannot be overstated. Bands like Dream Theater, Fates Warning, and countless others would mine the territory first mapped out on "The Warning." The album proved that metal could be both intelligent and visceral, that complexity didn't have to come at the expense of power. It's a lesson that many of their imitators never quite learned.

Tragically, "The Warning" also represents something of a high-water mark for this particular chemistry. While "Operation: Mindcrime" would bring greater commercial success and critical acclaim, it never quite recaptured the raw hunger that makes "The Warning" so compelling. The band members were still collaborating as equals, still pushing each other toward greatness rather than settling into comfortable roles.

Today, as various iterations of Queensrÿche continue to tour and record with diminishing returns, "The Warning" stands as a monument to what might have been. It's the sound of a great band at the moment of their greatest potential, before ego and commerce began to erode the very qualities that made them special. For those seeking to understand why Queensrÿche once mattered so much, "The Warning" provides all the evidence necessary.

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