OK Computer
by Radiohead

Review
**Radiohead - OK Computer: The Sound of Tomorrow's Anxiety**
In the pantheon of albums that redefined what rock music could be, few records loom as large or cast as long a shadow as Radiohead's third studio effort, OK Computer. Released in June 1997, this masterpiece didn't just capture the zeitgeist of the late '90s—it predicted the digital dystopia we'd all be living in twenty-five years later. It stands as arguably the band's finest achievement, a perfect storm of technological paranoia, emotional vulnerability, and sonic innovation that transformed five lads from Oxford into the most important rock band of their generation.
The journey to OK Computer began in the aftermath of The Bends (1995), which had already signaled Radiohead's evolution from the grunge-adjacent outfit that gave us "Creep." Following extensive touring, the band retreated to actress Jane Seymour's 15th-century mansion in Bath, along with producer Nigel Godrich, to craft something entirely new. Thom Yorke was becoming increasingly disturbed by the dehumanizing effects of technology and globalization, while the band collectively pushed against the boundaries of traditional rock instrumentation. The result was an album that sounded like Pink Floyd's The Wall reimagined for the internet age—sprawling, conceptual, and deeply unsettling.
Musically, OK Computer defies easy categorization. It's alternative rock, but not as anyone had heard it before. The guitar work of Jonny Greenwood and Ed O'Brien incorporates everything from ambient textures to jarring electronic manipulation, while Colin Greenwood's bass and Phil Selway's drums create rhythmic foundations that feel both mechanical and organic. Yorke's falsetto floats above it all like a ghost in the machine, delivering lyrics that read like poetry written by an AI having an existential crisis.
The album's opening salvo, "Airbag," immediately establishes the template—a song about surviving a car crash that somehow becomes a meditation on rebirth in the digital age. But it's "Paranoid Android" that serves as the album's twisted centerpiece, a six-and-a-half-minute epic that shifts between gentle acoustic verses and explosive rock passages while Yorke channels the anxiety of modern existence through cryptic imagery about kicking squealing pigs and rain coming down on his head.
"Karma Police" might be the album's most accessible moment, built around a hypnotic piano line and featuring one of Yorke's most memorable vocal performances, but even its apparent simplicity masks darker themes about social control and punishment. Meanwhile, "No Surprises" presents itself as a lullaby while describing a life of quiet desperation behind white picket fences—it's perhaps the most beautiful song ever written about suburban suicide.
The album's experimental peak comes with "Climbing Up the Walls," a claustrophobic nightmare that sounds like it's being transmitted from inside a mental institution, and "Fitter Happier," a two-minute interlude featuring a computer voice reciting a list of modern lifestyle aspirations that grows more chilling with each repetition. These tracks showcase Radiohead's willingness to prioritize artistic vision over commercial appeal, a philosophy that would define their entire career.
OK Computer's influence cannot be overstated. It arrived at the perfect moment—just as the internet was beginning to reshape society, before 9/11 changed everything, when the optimism of the early '90s was curdling into millennial anxiety. The album's themes of technological alienation, corporate control, and environmental destruction feel more relevant today than they did in 1997. It topped critics' polls, won Grammy nominations, and inspired countless imitators, though none have matched its perfect balance of accessibility and experimentalism.
The album also marked a crucial turning point in Radiohead's career trajectory. While they would continue to evolve—the electronic explorations of Kid A and Amnesiac, the political fury of Hail to the Thief, the orchestral beauty of In Rainbows—OK Computer remains their most complete artistic statement. It's the album that transformed them from a very good rock band into something approaching cultural prophets.
Nearly three decades later, OK Computer endures as both a time capsule and a crystal ball. In our current era of social media addiction, surveillance capitalism, and climate crisis, Yorke's warnings about "fitter, happier, more productive" living feel less like paranoia and more like documentary. It's an album that grows more essential with each passing year, a masterpiece that remin
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