On Stage
by Rainbow (UK)

Review
**Rainbow - On Stage: Thunder and Lightning in the Concert Hall**
When Ritchie Blackmore walked away from Deep Purple in 1975, rock fans worldwide held their breath. What would the guitar virtuoso who helped define hard rock's blueprint do next? The answer came thundering through amplifier stacks with Rainbow, a band that would prove lightning could indeed strike twice. "On Stage," the band's explosive 1977 live album, captures Rainbow at their most ferocious, serving as both a love letter to their studio brilliance and a testament to their stage prowess.
To understand the volcanic energy contained within "On Stage," you need to trace Rainbow's meteoric rise. After recruiting American vocalist Ronnie James Dio and a rotating cast of stellar musicians, Blackmore crafted a sound that married his neo-classical guitar wizardry with Dio's operatic vocal range and medieval lyrical fantasies. Their 1975 debut "Ritchie Blackmore's Rainbow" established the template – epic compositions, mystical themes, and guitar work that could make angels weep and demons dance. The follow-up, "Rising" (1976), elevated this formula to near-perfection, delivering what many consider one of heavy metal's finest achievements.
"Rising" was where Rainbow truly found their voice, blending Blackmore's increasingly sophisticated compositions with Dio's storytelling prowess. Tracks like "Stargazer" showcased an eight-minute epic that journeyed from whispered verses to soaring choruses, while "A Light in the Black" demonstrated how the band could craft both intimate moments and crushing heaviness within a single song. The album's success set the stage for what would become one of the era's most essential live recordings.
Recorded during their 1977 European tour, "On Stage" captures Rainbow in their prime, with a setlist that draws heavily from their first two studio efforts while throwing in a few surprises. The album opens with the thunderous "Kill the King," a track that would later appear on their next studio album, giving fans a tantalizing preview of Rainbow's evolving sound. Blackmore's guitar cuts through the mix like a sword through silk, while Dio's vocals soar above the mayhem with supernatural power.
The real treasures lie in how these live versions transform already stellar studio recordings. "Mistreated," originally a Deep Purple deep cut, becomes a showcase for both Blackmore's emotional guitar work and Dio's ability to inhabit a song completely. The extended guitar solo section finds Blackmore exploring blues-based territories while maintaining his classical sensibilities, creating moments of pure transcendence that studio recordings simply cannot capture.
"Catch the Rainbow" strips away some of its studio polish to reveal raw emotion underneath, while "Long Live Rock 'n' Roll" becomes an anthem that practically demands audience participation. But it's the sprawling "Stargazer" that serves as the album's crown jewel. Clocking in at over eight minutes, this live version maintains all the drama and dynamics of the studio original while adding an urgency that only comes from performing before thousands of devoted fans.
The rhythm section of bassist Jimmy Bain, keyboardist Tony Carey, and drummer Cozy Powell provides more than adequate support, with Powell's thunderous drumming particularly noteworthy. His work on tracks like "Man on the Silver Mountain" adds extra punch to already powerful compositions, while Carey's keyboards add atmospheric touches without overwhelming Blackmore's guitar dominance.
What makes "On Stage" particularly significant is how it documents a band at their creative and commercial peak. This was Rainbow before lineup changes began fragmenting their chemistry, before Dio's departure to join Black Sabbath, and before Blackmore's restless nature led him down different musical paths. The album captures lightning in a bottle – quite literally, given the band's name and their penchant for dramatic stage presentations.
Decades later, "On Stage" stands as essential listening for anyone seeking to understand heavy metal's evolution from blues-based hard rock to the more theatrical, fantasy-driven sound that would influence countless bands. While Rainbow would continue recording and touring, with later albums like "Down to Earth" showing different facets of their personality, this live document represents their artistic peak.
In an era when live albums often felt like contractual obligations or stopgap releases, "On Stage" proved that concert recordings could be vital artistic statements. It remains a masterclass in how to translate studio sophistication to stage power, ensuring Rainbow's legacy burns as brightly as their name suggests.
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