Mono is an experimental rock band from Japan, formed in 1999 by Goto Takaakira and his high school friend Tamaki Kunishi. The band has become known for their expansive soundscape compositions and ambitious use of classical instruments to illustrate their sound. Mono has released eight albums since their debut LP Under the Pipal Tree in 2000, with their latest release, ‘Nowhere Now Here’ arriving in 2019.

Initially known as a post-rock band, Mono’s sound incorporates elements from many genres, including shoegaze, classical, drone and trip-hop, as well as post-minimalist and ambient music. Instrumentally, the band often uses vast arrangements, often featuring violins, violas, cellos, French horns, the double bass and two drummers. Through their music, Mono has tried to challenge listeners to explore and interpret their unique sound[]

Signed with Temporary Residence Ltd., the band self-released their first album ‘Under the Pipal Tree’ in 2000. This was quickly followed by their Sophomore Album titled ‘One-Step More and You Die” in 2002. This album was not only their debut in the UK but in the US as well, and they used it to establish their distinctive, instrument heavy sound in the Western Hemisphere.

Their next album, ‘Walking Cloud and Deep Red Sky, Flag Fluttered and the Sun Shined’ released in 2004 saw them mature their trademark sound and style. It featured string quartets that brought together sublime beauty and chaos, that gave a unique tension to their compositions. This album included ‘Yearning’ the band’s first track to have acclaim internationally, topping international music charts across the globe.

Mono entered into the studio again in 2006 and made their fifth album, ‘You Are There’. This magnificent record featured a stellar lineup of musicians including other prominent experimental bands such as Envy and 9dw. Mono began to slowly make a name for themselves in the Western Hemisphere after this album, playing with Envy at the Movement Festival in 2007.

The album ‘Hymn to an Endless Sky’ followed in yo 2009. This album was Mono’s attempt to explore a wider range of instrumentation and styles, featuring a range of different instruments as well as Japanese spoken word. In 2010 Mono made their only live album to date ‘Holy Ground: NYC live given 2017′. The record captures Mono’s homage to the New York audience diversity as it blends into a beautiful harmonic celebration into one iconic performance.

It wasn’t until 2012 that Mono released their seventh album, ‘For My Jesus In The Hunger Winter’. The album was somewhat of a break from the more explicit sound of earlier albums, flooded with the ambiguity from earlier works. Shoegaze and ambiance dominated ‘For My Jesus In The Hunger Winter’, making it their ‘tamest’ album to that point.

Their latest release came in 2019 with ‘Nowhere Now Here’, a masterful eventual combination of all the different inspiration brought upon over the course of their career, making it a master record for the band.

Mono have made a profound impact on both the experimental and Shoegaze music scenes and are celebrated as one of the leading artistic rock acts today. Although the band went on an indefinite hiatus in 2015, due to medical issues and personal matters, Mono continue to impact the Indie and alternative scenes. As such, they exemplify the magic of cooperation and the ability of music to yield unexpected and magical results when a group of artists come together with a shared goal of exploration and creativity.

Norma Jean is an American rock band hailing from Douglasville, Georgia, that was formed in 1997. They have been dubbed one of the best post-hardcore bands of the early 2000s, and have since become a pivotal part of heavy metal, experimental, and progressive metal sub-genres with the launch of their career.

Before Norma Jean, in early 1997, the principal members of the band began jamming formed what was then called “Luti-Kriss”. The group was composed of drummer Chris Day, vocalist Josh Scogin, and guitarist Josh Doolittle who were all sixteen years old. In response to a local buzz, the group began small regional touring and began to make a name for themselves.

Sometime in mid- 1998, Luti-Kriss signed to Powertrain Records and released an EP in the same year and toured up all the way to the west coast of the United States. In May of 1999, the group transferred to the Atlanta Loft Recording Studio located in Georgia to record their debut album. This album was 25lbs, which derived from the weight of the back pack of rookie singer, Josh Scogin.

The official announcement of the name change to Norma Jean was completed in Spring of 2000. Josh Scogin left the band on good terms and joined The Chariot shortly afterward and was replaced by singer Cory Brandan. With the recruitment of two new members, the group entered Atlanta’s Doppler Studios for two weeks in May 2000 to record their first album under the new band title, Bless the Martyr and Kiss the Child. The album represented the character Tryon, which was instrumental in the recording process. You could say that picking the name Norma Jean was the tipping point for their legitimacy in the rock and roll genre.

Norma Jean’s summer concerts at the time included a few limited dates headlining dates, and a 30-date Warped Tour. Bless the Martyr and Kiss the Child sold more than 11,000 copies its first week and ended up selling over 150,000 despite no apparent promotion. This remarkable success set the standard for the band’s next album.

In 2005, the band made their move from Solid State Records to Understanding Records. One year later released their 2nd album entitled O’ GOD, the Aftermath, which featured longtime drummer/percussionist Chris Day as a full time member of the group. This release was followed by four singles: “Bayonetwork : Vultures in Vivid Color”, “Disasteroid : Terror200, Blueprints for Future Homes”, “Songs Nuclear: ABSOLUTE.PCL.2004amed, the ‘Forever years” and “Robots 3: Human”

The process of writing and recording Redeemer in 2006 took less than two months, with the members switching up writing posts during the recording sessions and sharing ideas even during tracking sessions. With the success of the album, the members a place on the Taste of Chaos tour during the middle part of 2006. A DVD compilation entitled A Cruise Through the UK was also released simultaneously with the album.

In May of 2009, the group unveiled their fourth album, Policore: an exploration into post-hardcore and a fan favorite up to this day. The album featured Kurt Ballou of Converge as an official producer and Doug Van Sloun from Omaha Mastering Studios as the mastering navigator. Billboard.com reviewed the album on their release day and praised the band’s musical talent.

In 2012, Norma Jean released their fifth studio album, because Of The Times. and the following year, released the follow-up album, Wrongdoers. The latter was inspired by a quote from Jesus’ Sermon on the Mount from the Bible and was well-received by major publications like Rolling Stone, Pitchfork and Revolver. In 2016, the band released their seventh album, Polar, which was also well-supported. They followed up two years later with All Hail, and would eventually take a break to focus on personal endeavors.

Throughout Norma Jean’s abilgetic career, the members have gained a wide-ranging fan base such as Market One Music, the Astoria Music Hall, the Dillinger Escape Plans, and more. Their passionate playing and profound talent has provided them with numerous accolades and LP release to their name. The power of Norma Jean’s sound had profound changes on its fans, and they remain part of post-hardcore’s iconic scene to this day.

Norma Jean’s one of a kind music has touched numerous lives, leaving a mark in the core of the hard rock and metal scene. Their sound is unforgettably distinct and it will go unsurpassed. It is clear that Norma Jean are here to stay and will continue sharing their musical journey with all.

The band Salem was founded in Salem, Massachusetts in the mid-2000s. Led by highly creative and talented frontwoman Heather Gabel and guitarist John Holland, Salem have built a long legacy as one of the most innovative and unique bands of their time.

Salem began as an experimental electronic music project in 2004, when Gabel and Holland joined forces to create something “neither of them had ever heard before”. Within months, the duo began to make their live debut, amassing an eager and dedicated fan base along the way. By 2006, word had spread far enough that Gabel and Holland were able to release their first demo album, “Curse,” which showcased their focus on warped dream pop and noise/drone-style music.

The band released several EPs in the following years, and by 2009, they completed their first full-length album, “King Night”. Released on Iamsound Records, the album is considered to be Salem’s most successful effort, and critics singled out its dark and eerie blend of sounds. The album put Salem firmly on the music map, and they began to draw comparisons to other ground-breaking music groups such as Animal Collective, Death Grips, and Beak>.

In 2011, Salem released their second album, “Iana,” which featured a shift in musical approach and dark psychedelic themes. The band also released a number of other EPs, and their 2011 tour of Europe saw them play to critical acclaim. By 2013, Salem had become a renowned live act around the globe, and they were invited to tour with prominent electronic artists such as The Knife and Zola Jesus.

In 2014 Salem released “Strength In Numbers”, an album that pushed sonic boundaries even further and showcased the duo’s continued use of soundscapes and dream pop elements. The album was supported by a worldwide tour, and featured a number of festival and showcase performances.

The same year, Salem released “Strides,” a collection of singles and outtakes from their two prior releases. In 2016, the band celebrated their 10th anniversary with the release of “Carpe Noctem,” a six-track EP of dark music rooted in noise, drone and ethereal soundscapes.

Salem released their fourth studio album, “VEX” in 2019, a release that saw them push their sound to new heights and incorporate a greater range of instrumentation into their music. The band followed up this release with a final album, “Fallow,” in 2020.

Heather Gabel and John Holland’s offbeat take on pop and electronica has seen them make waves all over the world over the years, and their commitment to exploring new sounds and concepts have seen them become one of the most inspiring and vital bands of their time. Salem remain a ground-breaking act and continue to blaze a path which many dream pop, noise and experimental artists follow in their footsteps.

The Millennium was an American rock band from the mid-1960s to the early 1970s. They were often referred to as “America’s own Fab Four”, and they achieved a tremendous level of success throughout their career.

The initial members of The Millennium consisted of Rocky Michaels, Mark Stevens, Carl Cameron, and Randy Carmichael. The band was formed in 1965 by Michaels and Stevens, who had both been members of different local rock bands in Sacramento, California. Stevens had previously played drums in a band called Psyworth while Michaels had played bass in a band called The Breakers. They would later be joined by Carmichael and Carl, both of whom had played in The Rhyme and Reason, another local band.

The Millennium’s music was heavily influenced by the British Invasion sound of the 1960s and was also inspired by bands like The Beatles, The Rolling Stones, and The Who. Their sound featured big hooks, a sense of energy and adventure, and powerful vocal harmonies.

The band had a series of hits throughout the 60s and 70s, including such songs as “Come On Over to My Place,” “Joy Street,” and “Everyday Things.” These songs cemented The Millennium’s legacy as one of the most successful American rock bands of their time.

In the late 1960s and early 1970s, The Millennium began to explore new directions in their music while still remaining firmly rooted in their British influences. The result was a more experimental approach to rock, particularly on albums such as 1972’s “Search Parties” and 1975’s “Rodeo.” With these albums, The Millennium were now just as likely to delve into the realms of country, folk, and even jazz.

From the mid-1970s onward, The Millennium shifted their focus to live performances, particularly in Europe. After long tours of France in 1976 and the Netherlands in 1978, they moved to London and set up residence for the next decade.

Their career peaked in England during the 1980s when they had their biggest hits with tracks like “Monster Run,” an infectious sing-along which became a top ten hit in Britain at their peak, and their enduring classic “Lose Your Shoo-Shoo.”

Despite an ever-changing lineup – only Michaels stayed with the band for the entirety of its run – The Millennium continued to grow in popularity until their disbandment in 1989.

The Millennium’s music continues to endure to this day. Their sound remains an inspiration to many subsequent Rock’n’Roll acts and they continue to be held in high esteem in American music circles. The band’s immense song catalog and their described fondness for experimentation makes them one of the most beloved American rock acts of the era. Even after their disbandment, The Millennium’s music is still revered to this day.

Truly is an American rock band from Houston, Texas, formed in 1998 by singer and guitarist Dustin Welch. The band is composed of Welch, lead guitarist Nick Murley, bassist Juill Delgado and drummer Gezol Simons.

Truly has had numerous personnel changes throughout its career, starting out with only Welch as a member. Throughout their career, the band’s lineup has included noted guitarists such as Steffon Aarricendal, Walter Clevenger and Gabriel Keenan, and keyboardists such as Meredith Goodall and Corwin Gibbs. The core lineup has been together since 2004, with guitarist Simons joining in late 2007 and Delgado in 2014.

The band’s style has been described as a mix of “big rock, indie tendencies, soul, tejano and punk rock”. Their music, characterized by intense, angsty vocal delivery, catchy melodies and danceable rhythms, has also been compared to bands such as Weezer and early Foo Fighters.

Truly began recording and performing demos of their original material in 1998. In 2001, they released their debut album, ‘That Isn’t Storming the Castle’, which was recorded on a software program. The album was praised by local Houston press and the band began to play live gigs and regional tours.

Their sophomore album, ‘For This Machine’, arrived in 2003. This album, recorded at runner studios, is considered to be the breakthrough album, as well as a fan favorite. It was followed up with 2004’s ‘We Are the Autumn People’, which garnered significant radio airplay.

Truly followed this up with ‘The Theory of Everything’ in 2006, which was critically-acclaimed and supported with an extensive tour of the US. This album included the hit songs ‘Learn to Lose’, ‘Mescalero’ and ‘Sacrifice’. The band also made appearances on talk shows such as ‘Late Show With David Letterman’ and ‘Jimmy Kimmel Live’.

The band’s fifth album, ‘Strange Religion’, was released in 2009. This album featured a darker, heavier sound than previous efforts and was recorded live to analog tape. The songs “Black Candles” and “Pink Eye” were featured in the feature film ‘Spider man 4’.

In 2010, the band released their sixth album, ‘Abandonment’. This album was described as a “return to form” as it marked the return to the band’s classic sound and was well-received by critics. In 2012, the band released their seventh and final full-length album, ‘Game Over’, which included the singles, ‘Control’ and ‘The Only Ones’.

Throughout their career, Truly has toured with artists such as Bush, Audioslave, Pearl Jam, Nickelback, and the Goo Goo Dolls. They have additionally performed in festivals such as SXSW, Bonnaroo, and the Vans Warped Tour.

Truly has earned a massive fan base over the years, thanks to their passionate and intense live performances. They are also highly respected by their peers and have been praised for their independence, heartfelt song-writing, and commitment to their music.

Truly officially disbanded in January 2014, leaving behind a huge body of work that will forever define them as one of the biggest names in modern American rock and influence many of the rising stars of today.

Wigwam was one of the most influential Finnish rock bands in the 1970s. It was formed in the late 60s and was initially made up of lead singer/songwriter Jukka Gustavson (also of Saturnus fame), keyboardist/saxophonist Jukka Tolonen, bassist/vocalist-songwriter Pekka Pohjola, drummer Ronnie Osterberg and guitarist Jim Pembroke.

Before forming, the members of Wigwam had been making music together since the early 60s, going by a variety of monikers such as Omega Super 5, Rickshaw and finally, in 1971, Wigwam. Each musician contributed to the band’s unique sound, which incorporated elements of psychedelia, rock, jazz and folk music.

Their debut single “Lupus In Fabula” became an underground hit and Wigwam were soon gaining recognition for their inventive and often experimental approach to music-making. In 1972, the group released “Tombstone Valentine”, their first full-length album. They successfully completed two further studio albums and two live albums by the end of the 70s.

In the case of Wigwam, the sum of the parts was certainly greater than the whole: tracts from the band’s repertoire had a shimmering sense of ingenuity that both impressed critics and gained new fans. Revolutionary and daring songs such as “Ski-Jumping And lashing” saw the band truly stretch musical boundaries.

One of the band’s seminal moments was the 1975 outside recording “Fairyport”, at the Hippodrome Stadium in London. Produced by legendary producer Tony Visconti, the popular concert album found the group at their #music peak.# Pieces such as the skilful frenetic parade “At The Rack And Pin” and the blend of wild honking jazz/funk of “Vice Rag AndBone” probably remain Wigwam’s best and most beloved tracks.

With its unique fusion of musical genres, the band soon became a true staple of the 70s Finish rock scene. In 1977 they were signed to CBS Records, which marked the end of a harder rock sound of their days as an independent band. It was also the beginning of a period with increasingly pop driven sound that took them touring the US and Canada.

Unfortunately, the major label did not accept their 1976 album, Dwarf Planet, leading the band to disband after their 1979 album. Although members went separate ways soon thereafter, the influence of Wigwam would live on in many forms. They remain one of the key prog-rock bands of the 70s and a true cult classic among music fans the world-over.

Sandy (Alex) G is an American musician based in Philadelphia, Pennsylvania. He is an experimental musician, playing folk and indie rock music on acoustic guitar, electric guitar, and various other instruments such as keyboard and banjo. His use of digital audio effects, such as distortion and reverb, has resulted in experimentation with atypical musical structures and genres.

Born Alexander Giannascoli in Philadelphia, Pennsylvania in 1991, Alex G began playing music at a very young age, first by taking violin lessons when he was three or four, then by playing drums at home and in bands in school. His family fostered his enthusiasm for music by taking him to various artists’ concerts and encouraging participation in the music scene in and around Philadelphia. Alex’s early influences included Frank Sinatra, John Lennon, Nirvana, and Tower of Power. By the age of thirteen, Alex was already writing his own music.

Throughout his early teens and high school career, Alex G continued to write and record music, and began sharing it on Bandcamp and other DIY web platforms. Over time, he developed a charmingly lo-fi sound that blended both the avant-garde stylings of groups like Animal Collective and Ariana Grande with an indie-rock aesthetic rooted in his upbringing.

In 2011, Alex G’s album Family prompted the indie music blog I Rock Philly to note: “It’s a pretty special moment when an endearing and hardworking artist like Alex creates such a gripping debut album as Family.”

The release of his next album, Trick, in 2012 solidified his reputation as a prolific and unique artist. The following year, his third album, DSU, received critical accolades from the likes of Pitchfork who praised its warmly brash blend of indie-pop and hoarse/coarse vocals. Soon after, Alex was in high demand, choosing to sign with the powerful indie music label, Domino.

High-profile liner-notes from the likes of indie-rock legend Steve Albini and collective-legend Sufjan Stevens only further bolstered Alex’s reputation and impact on the music industry.

Since then, Alex G has released four full-lengths as well as the soundtrack to the web series ‘The End of The F***ing World’. each project embracing a new opportunity for sonic growth while simultaneously embodying a unique quality of Alex’ hearty and thoughtful charm.

His most recent work, House of Sugar, was released in September of 2019 and often lauded as one of his most solid bodies of work to date. The album made the long list of the 2019 Polaris Prize and received three (and counting) Best of 2019 mentions from major publications such as Pitchfork, NPR Music, and The AV Club.

A loveable oddball, Alex G has continued to surprise listeners who are intrigued by his nimble style and intimate solo recordings. Private boutiques run to be able to nab one of his live shows (which frequently happen in small, local venues) and packed out international concert halls frequently awaiting his to churning sound.

Sandy (Alex) G’s gifts and credits to the independent, popular, and emerging music archetypes goes unquestioned. Now with countless scratchy chants of his clever melodies and increasingly distinct performances, he continues to captivate listeners even without an entailing need for explanation as to why he continues to exist at the top of his tier of music professionals.

“…And You Will Know Us By the Trail of Dead” is a post-hardcore and alternative rock band originating from Austin, Texas. The band consists of core members Conrad Keely (singer-multi-instrumentalist) and Jason Reece (drummer-multi-instrumentalist), along with longtime bassist Autry Fulbright II and former member Kevin Allen. The band’s style is marked by energetic performances and critically acclaimed recorded works, along with a dedicated tour schedule.

It all started in the summer of 1994 when an Austin based indie-rock outfit disbanded, which left Keely and Reece unemployed. With their new-found free time, the two would regularly jam in Keely’s apartment as well as hanging around local Austin shows where they often promoted their works. The year 1995 marked the evolution of two-picked into …And You Will Know Us By the Trail of Dead, after adding bassist Autry Fulbright and guitarist-keyboardist Thomas Cox, releasing their own self-titled album.

In 1997, …And You Will Know Us By the Trail of Dead—now a four-piece—signed to Merge Records, releasing albums Madonna and Lionesque (1998). Madonna received a positive response from critics, showcasing the band’s heavy guitar sound mixed with symphonic cymbals and loud passages of cheery pop and alternative sequences.

In the early 2000s, the band moved to New York. Their third studio album, Source Tags and Codes (2002), marked their last with original bassist Fulbright, after he decided to get out of the touring circuit and leave the band in pursuit of his graduate studies. The album met commercial success and garnered several critical awards, as well as a surprise Grammy nomination in 2003. Later in 2005, the critically acclaimed …And You Will Know Us By the Trail of Dead released Worlds Apart, cementing their success and a reputation further.

The band continued to spend most of its time in the studio, taking on sporadic tours throughout the decade. In the wake of Worlds Apart’s leaked demos. …And You Will Know Us By the Trail of Dead moved to Minneapolis and reunited with their original bassist to work on the following album, The Century of Self (2009). Although it was released to positive reviews, many fans ageed that it was different; leaving a more somber impression with longer tracks and minimal distortion.

Despite having endured lineup changes and other trials and tribulations in the years following the band’s formation, …And You Will Know Us By the Trail of Dead have consistently pushed forward, continuing to tour as well as in the studio releasing new music. The band’s latest album, IX, was released to unanimous praise in 2014.

Continuing to be beloved by fans and critics alike, …And You Will Know Us By the Trail of Dead remain a prominent fixture in the alternative and post-hardocre scene, while at the same time staying in tune with current trends and never ceasing to challenge and question their peers, their listeners, and most importantly, themselves. After 25 years, …And You Will Know Us By the Trail of Dead exist as a living proof of the hard-earned and committed dedication to art and expression. After it’s all said and done, …And You Will Know Us By the Trail of Dead will always be remembered for their relentless pursuit of creative excellence.

Formed in 1981, 10,000 Maniacs is an American alternative rock whose members have rocked fans worldwide with their unique sound. Composed of founding members Robert “Robby” Snyder, Steven Gustafson, Nathan Larson, Dennis Drew, and John Lombardo, plus non-founding members Mary Ramsey and Jeff Erickson, the band has been actively involved in the music scene for nearly four decades.

Robbie Snyder was an integral part of the conception of 10,000 Maniacs. After going off to college in the late 1970s, Snyder returned to Jamestown, New York and upon seeing that there were virtually no musicians in his hometown, he endeavored to form one. Snyder, Gusarftson, Larson, Drew and Lombardo formed 10,000 Maniacs in 1981 for an explicit purpose- to put on a Halloween show.

The band’s main songwriting responsibilities were two-fold: Robby Snyder and John Lombardo. Jer Litten was responsible for most of the musical arrangements, as well as his upbeat style. Meanwhile, Gustafson handled the recruitment of larger venues and labels. When the band collectively decided to attempt to make a living off their music, Gustafson was also the one who intensively promoted and managed the group.

Despite having written several albums, the band enjoyed their most success with their fourth and fifth albums, In My Tribe and Blind Man’s Zoo. In 1989, 10,000 Maniacs first tasted international success with the latter now having gone double platinum. During its release, MTV frequently aired the videos for “Trouble Me” and “Eat for Two” which only increased the band’s visibility and sound in households all across America. Of the non-founding members, Mary Ramsey replaced Lombardo in 1993 and Jeff Erickson, assumed final line-up duties in 1998. When asked about their influence, Robby, Steven and Jeff all noted that the band saw themselves as apart from the rest of the ever-advocating for “willingness, open-mindedness, and progressive stances in far reaching topics”.

10,000 Maniacs had continued a great consistent touring since its formation but tasting success into the late 90s, it had become commonplace to see them gracing the headlines as well as being screened on numerous major radio and television outlets all across the world.

Their years of success would eventually begin to wind down, however. After two decade, Lombardo returned to active involvement with the Maniacs and discovered- incredibly- that they had never received any royalty payment from MTV for any of their videos prior. Resenting their monotony in the emerging music industry-promoting landscape, 10,000 Maniacs began to break up in 2000 with physical disbandment taking place a year later.

Despite the 10,000 Maniacs separation, their music has lived on globally and worldwide. Since their split, numerous bands have acknowledged them as a major influence in alternative and indie-rock music. New albums and tours have been undertaken by surviving members, ensuring that the legacy of 10,000 Maniacs will live on and live to inspire new generations around the world.

100 Gecs is an experimental duo comprised of Dylan Brady and Laura Les. They have rapidly grown in popularity since forming in St. Louis, Missouri, in 2017 and are leading the charge in the global ‘hyperpop’ scene. Fresh off the release of their debut album “1000 Gecs” in 2019, 100 Gecs have made an indelible mark on today’s music culture with their unique blend of electro dance pop, punk, and rap influences.

Dylan Brady is an LA based producer. He originally hailed from Milwaukee, Wisconsin, and gained popularity after producing songs for several big artists, such as Yung Lean, Mac Miller, Vince Staples and Niki. Brady is also known for his solo work as well as producing records for a number of smaller artists. He has since drawn attention for his signature mix of trap, punk, and off-kilter pop sounds. He is one-half of the highly acclaimed experimental duo, 100 Gecs.

Laura Les also originally hails from Milwaukee, Wisconsin. She is a singer, songwriter, producer, vocalist, and guitarist. Les began her music career at age 13 playing the drums in a punk band called Slam Dunk. During this time, she also worked on solo music, which she released on her SoundCloud account. She later moved to St. Louis to study musical production and theory music technology. After working with Brady on Vortex Sound, Les joined him in the formation of 100 Gecs.

100 Gecs’ first release in 2017, “Memecake/Buggatti Speedway,” offered a mind-numbing, chaotic mix of sounds—a style that would come to define the group. They quickly developed a large internet following and were praised for exploring the outer limits of music genres. The debut 100 Gecs EP, “Haterhunting in the Club DEATH4U” followed in the same irreverent tradition, as did 2019’s “1000 Gecs,” which featured some of the group’s most popular songs.

100 Gecs’ distinctive sound continues to inspire experimentation and creativity in the music scene. Their influence can be heard in releases from fellow hyperpop stars such as Nahhg, Dirty Potato Chips, and JPEGMAFIA. The group also received a nomination for 2020’s “Album of the Year” during the 63rd Annual Grammy Awards, a testament to the revolutionary impact of their music. Most recently, the duo released the remix album “1000 Gecs & The Tree of Clues” in 2020.

Brady and Les have also performed at festivals including Grassed Music Festival, SXSW, and Red Bull Music Academy. In addition to performing music, they also teach music production classes at various locations through their “100 Gecs Production Academy.” They are passionate educators and believe in passing on the knowledge and skills needed to make music that pushes the boundaries of sound.

Overall, 100 Gecs have achieved considerable success in their short career. As a duo who is both talented and daring in their approach to music, they have become trendsetters for a new generation of experimental music. With their influence likely to grow even further, the future of music will be forever changed by the legacy of 100 Gecs. ¨